nothing,nowhere.

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Existence is without meaning; to exist is to suffer. For Joe Mulherin, a man who’s spent a life and career trying to make a friend out of pain, that’s the whole beauty of it. For almost a decade, Mulherin has been applying these Buddhist and Taoist-derived principles to his project nothing,nowhere.—a moniker inspired by the philosopher Alan Watts’ famous lecture on the importance of nothingness. On his latest album Void Eternal he embraces the pointless pain and chasm of consciousness like never before, venturing down into the basement of his being to present his rawest and most challenging work yet. On first listen, the album might sound like a suicide note. In reality, it’s the very opposite. Void Eternal is the ultimate peace pact with pain. It takes you by the hand, shows you that the beauty of suffering is in the lessons it offers; that the beauty of meaninglessness is in how we create our own meaning. Void Eternal isn’t so much a death but a total rebirth for nothing,nowhere. Now that he’s turned his depression into positive aggression, Mulherin is entering into a new, heavier era—one that’s the truest representation of the artist yet. Having gained critical and commercial success, as well as respect from the titans of the emo adjacent scene—including Pete Wentz who signed nothing,nowhere. to his DCD2 label upon first hearing him —Mulherin is stepping into a totally new chapter. But the pain-befriending philosophy of nothing,nowhere. remains the same.