Biyografi

“It’s freeing being resigned to doom.” This is the thought that drove the creation of Life in the Dome, the sophomore album from Winnipeg indie-rockers Jamboree. Since the band formed in 2018, they’ve been known for their jagged, emotionally charged music rooted heavily in the sounds of 1990s alt rock (a decade, one should note, that they weren’t alive for). Sky Parenteau, Alex Braun, and Nick Lavich work as a singular creative unit, creating nimble, hook-filled music that explores themes of alienation, mental illness, and modern anxiety. In 2020, amidst an era of confusion and angst, they conceived of The Dome; a story of a community electing a mayor who then erects a glass structure over the town, trapping the residents inside. “[The Dome is] like feeling isolated from the world at large in Winnipeg, but also feeling some sort of community with the people immediately around us, especially during the pandemic when we were all stuck alone together,” says Alex Braun, the band’s drummer. “But it’s also an embrace of the idea that the worst is always around the corner, this feeling that if we’re gonna get killed by a deadly virus and then destroyed by climate disasters, why don't we make our own disaster and elect some idiot to trap us in a dome?” The album was recorded and mixed by Lino D’Ottavio in his basement studio, and mastered by J. Riley Hill at No Fun Club. It arrives digitally and on cassette April 1 via House of Wonders Records.