Biyografi

Founded in Chicago in 1996, The Arrivals are The Jam meets Dillinger Four (with whom they share a member since 2005) in sound and spirit; something like Naked Raygun trying to revisit The Kinks. They play a kind of working-class punk rock that’s not patriotic, not overtly populist, but thoughtful and authentic. The songs are artfully written and delivered with urgency and forthrightness, with well-informed lyrics that center on the lives of lower-class Americans and general disillusionment with civilization. The Arrivals is real modern music from the urban Midwest. It’s rustbelt realism at its best. In the later part of the 2000s, The Arrivals evolved into their own species of punk rock animal, in the way that The Clash did as the ’70s became the 80’s or Jawbreaker did during the early ’90s. And their last album to date, 2010’s “Volatile Molotov” (their fourth full-length), tops all. With classic rock and punk references strewn throughout, they’ve called it their “love letter to their favorite music.” Todd Congelliere of their label, Recess Records, says it “listens like a classic novel.” Since 2012, The Arrivals took a bit of a break⁠ — focusing on their home lives and starting an array of musically-adventurous side projects. When the band comes together to play, they explode from the stage with enthusiasm and a pure love of playing music together. As such, Arrivals shows have become highly-anticipated events that see fans traveling from far corners to their celebrations.