Sanatçının Albümleri
When You Were A Child And I Was Young
2023 · single
No One Really Listens to Oscillators
2022 · albüm
Four Walls
2022 · single
Before Life
2022 · single
Calabrian Woods
2022 · single
New Ruins
2020 · mini albüm
New Ruins
2020 · single
Black Trees
2020 · single
Brilliant Eyes (Indian Wells Remix)
2020 · single
The Outside
2020 · single
FOF10: Ghost City
2019 · single
0629
2019 · single
Disconnect (Indian Wells Remix)
2019 · single
Phase Transition EP
2018 · mini albüm
Closer
2018 · single
Where The World Ends
2017 · albüm
Forest Hills
2017 · single
It's Where The World Ends
2017 · single
Cascades
2017 · single
Racquets
2016 · single
Pause Rmxs
2015 · albüm
Pause
2015 · albüm
Night Loops
2013 · mini albüm
Night Drops
2013 · albüm
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Indian Wells is the moniker of electronic artist Pietro Iannuzzi, from southern Italy. Wells' work draws inspiration largely from his own cultural background referencing elements of geographical, social and political isolation that etches across a range of technically composed, conceptually driven and emotive electronic music. No One Really Listens to Oscillators is Indian Wells’ 4th album and is released on Max Cooper’s Mesh imprint and explores the concept of “unfinished”, both in relation to oneself, art, architecture and surroundings, which is scheduled for release this summer of 2022. Indian Wells' previous releases include albums on Bad Panda, and remixes for Ghostly International, Anjunadeep, Terrible Records, Bastard Jazz, Sekuoia and Populous. Where The World Ends is Iannuzzi's 3rd studio album which won international critical acclaim from the likes of Mixmag as their top 50 albums of 2017, A Closer Listen, Resident Advisor , Boiler Room, Clash, Electronic Sound and XLR8R. Well's influence extends farther than his music releases, where his compositions feature in cinema, television and media. Iannuzzi presents intelligent and thought-proving electronic dance music, whilst commissioning impactful film and videos that continue to inspire, challenge and captivate audiences.