Sanatçının Albümleri
Simon Boccanegra staring Leyla Gencer
2022 · albüm
Mozart: Le nozze di Figaro, K. 492 (Live)
2019 · albüm
Verdi: Falstaff (Live)
2019 · albüm
Mozart: Così fan tutte, K. 588 (Live)
2018 · albüm
Verdi: Highlights from Oberto & Alzira
2016 · albüm
Verdi: Oberto, conte di San Bonifacio
2016 · albüm
Bellini: I puritani (Recorded 1952)
2015 · albüm
Donizetti: Lucia di Lammermoor (1956)
2015 · albüm
Donizetti: Lucia di Lammermoor (1957)
2015 · albüm
Gounod: Philémon et Baucis (Recorded 1960)
2015 · albüm
Mozart: Così fan tutte, K. 588 (Recorded 1957)
2015 · albüm
Paisiello: Il barbiere di Siviglia
2014 · albüm
Rossini: L'Italiana in Algeri
2014 · albüm
Handel: Serse (Xerxes), HWV 40 [Recorded 1962]
2014 · albüm
Rolando Panerai
2014 · albüm
Mozart: Così fan tutte
2013 · albüm
Verdi: Aida
2013 · albüm
Verdi: Falstaff
2013 · albüm
Mozart: Così fan tutte
2009 · albüm
Puccini: La Boheme
2008 · albüm
Verdi: Falstaff
2008 · albüm
Menotti: Amelia Al Ballo
2006 · albüm
Benzer Sanatçılar
Enzo Dara
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Tom Krause
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Nicola Zaccaria
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Katia Ricciarelli
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Samuel Ramey
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Sherrill Milnes
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Renata Scotto
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Biyografi
In a career spanning over 60 years, the venerable Rolando Panerai not only was one of the most admired and popular baritones of his time but one of the most versatile. Panerai was born in the Italian town of Campi Bisenzio, near Florence, on October 17, 1924. After studying with Vito Frazzi in Florence and with Giulia Tess in Milan, he won first prize in the Spoleto-based Adriano Belli Competition. He debuted in 1946 in Florence, singing Enrico Ashton from Donizetti's Lucia di Lammermoor. Panerai's La Scala debut came in 1951 when he sang the High Priest with great success. In his early career, Panerai not only distinguished himself with memorable performances, but he took chances: when he sang Ruprecht from Prokofiev's The Fiery Angel at the 1955 Venice music festival, it was the first stage performance of the opera, a work virtually unknown at the time, even in Russia. Other important debuts followed, including at Salzburg (1957), San Francisco (1958), and Covent Garden (1960). By 1970, he was a well-known recording artist and had worked with numerous celebrated conductors like Serafin, Sabata, Giulini, and Karajan, and would sing under Muti, Sawallisch, and many others from the younger generations. Though he lacked a measure of power in his voice, he always possessed an attractive tone and excellent dramatic skills. Panerai appeared in most of the major operatic venues in the world and on numerous recordings, again in varied repertory that bespoke his seemingly inherent versatility. Witness the disparate roles he sang: the High Priest from Saint-Saëns' Samson et Dalila, Paolo (Verdi's Simon Boccanegra), Ford (Verdi's Falstaff), Svejk (Guido Turchi's Il buon soldato Svejk), Mathis (Hindemith's Mathis der Maler), and many more, including Mozart's and Rossini's Figaro. He sang in more than 150 operas and, not surprisingly, with many of the operatic greats, including Callas, Tebaldi, Corelli, Bergonzi, di Stefano, Pavarotti, and countless others. As Panerai entered the new century, he was not as active as in the past, but still appeared regularly on the stage, including at the Paris Opera, Glyndebourne, and Frankfurt Staatsoper. In June 2000, the indefatigable Panerai appeared in the Zubin Mehta-led international television broadcast production of Verdi's La Traviata singing Giorgio Germont. Even later, he performed Gianni Schicchi in Genoa at the age of 87. Panerai died at the age of 95 in late 2019, while still living near Florence. His recorded legacy is on a variety of labels, including EMI and Decca. Older performances have been reissued on Opera d'Oro, Urania, Andante, and several other labels.