Sanatçının Albümleri
Gordon, Lang & Wolfe: Lost Objects
2001 · albüm
Eno/Wyatt/Davies: Music for Airports
1998 · albüm
Autodreamographical Tales
2022 · albüm
Long Bus Ride
2021 · single
Memory Game
2020 · albüm
The Passion
2019 · albüm
More Field Recordings
2017 · albüm
Cloud River Mountain
2017 · albüm
Julia Wolfe: Anthracite Fields
2015 · albüm
Field Recordings
2015 · albüm
Julia Wolfe: Steel Hammer
2014 · albüm
Steel Hammer
2014 · albüm
Big Beautiful Dark and Scary
2012 · albüm
Music for Airports: Live
2011 · derleme
Music for Airports: Live
2011 · albüm
A Ballad for Many
2011 · albüm
Bang On A Can Meets Kyaw Kyaw Naing
2011 · albüm
Bang on Can Classics
2011 · albüm
Elida
2011 · albüm
Gigantic Dancing Human Machine
2011 · albüm
Glass: Music in Fifths & Two Pages
2011 · albüm
In C
2011 · albüm
In C
2011 · single
Renegade Heaven
2011 · albüm
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Formed in 1992, the Bang on a Can All-Stars are recognized worldwide for their ultra-dynamic live performances and recordings of today’s most innovative music. Freely crossing the boundaries between classical, jazz, rock, world and experimental music, this six-member amplified ensemble has consistently forged a distinct category-defying identity, taking music into uncharted territories. Performing each year throughout the U.S. and internationally, the All-Stars have shattered the definition of what concert music is today. Together, the All-Stars have worked in unprecedented close collaboration with some of the most important and inspiring musicians of our time, including Steve Reich, Ornette Coleman, Burmese circle drum master Kyaw Kyaw Naing, Tan Dun, DJ Spooky, and many more. The group’s celebrated projects include their landmark recordings of Brian Eno’s ambient classic Music for Airports and Terry Riley’s In C, as well as live performances with Philip Glass, Meredith Monk, Don Byron, Iva Bittova, Thurston Moore, Owen Pallett and others. The All-Stars were awarded Musical America’s Ensemble of the Year and have been heralded as “the country’s most important vehicle for contemporary music” by the San Francisco Chronicle.