Sanatçının Albümleri
Spirituals
1996 · albüm
Time Waits For No One
1989 · albüm
Oh What a Feeling (2013 Remaster)
1979 · albüm
Carry Me Home
2022 · albüm
One More Change (ALA.NI Remix)
2021 · single
All In It Together
2020 · single
I'll Be Gone (With Mavis Staples)
2019 · single
We Get By
2019 · albüm
We Get By
2019 · single
Anytime
2019 · single
Change
2019 · single
Live in London
2019 · albüm
If All I Was Was Black
2017 · albüm
Respect Yourself (Live)
2017 · single
Turn Me Around (Live)
2017 · single
Slippery People (Live)
2017 · single
Livin' On A High Note
2016 · albüm
Your Good Fortune
2015 · mini albüm
Your Good Fortune
2015 · single
One True Vine
2013 · albüm
Black Star
2011 · single
You Are Not Alone
2010 · albüm
Live: Hope At The Hideout
2008 · albüm
We'll Never Turn Back
2007 · albüm
Have A Little Faith
2004 · albüm
Benzer Sanatçılar
Pops Staples
Sanatçı
William Bell
Sanatçı
Taj Mahal
Sanatçı
Levon Helm
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Dave Alvin
Sanatçı
Ruthie Foster
Sanatçı
Eric Bibb
Sanatçı
Dr. John
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The Neville Brothers
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Shemekia Copeland
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Solomon Burke
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Chris Smither
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Bettye LaVette
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The Blind Boys Of Alabama
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Lucinda Williams
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Allen Toussaint
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Ray Bonneville
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Buddy Miller
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Eilen Jewell
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The Staple Singers
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Biyografi
Though Staples and Helm got on like childhood pals, the two were already both stars in their own right by the time they first met at the 1976 filming of ‘The Last Waltz’. Critics would go on to cite The Staple Singers’ collaboration with The Band on “The Weight” as a high point of the film, and Mavis and Levon would remain close friends in the decades to come, but it was unclear if the pair would ever get to sing together again after Helm was diagnosed with throat cancer in 1998. More than two dozen radiation treatments robbed him of his voice, and, as Helm told Fresh Air’s Terry Gross in a 2007 interview, “I had a period of time there for about two-and-a-half years or so where I had to whisper or write you a note to tell you what I wanted you to know.” But when Staples arrived in Woodstock for the Ramble, the ever-resilient Helm was in the midst of a genuine renaissance. The cancer was in remission, his voice had returned, and he’d won a pair of GRAMMY Awards for his two most recent solo albums (he’d take home his third less than a year later). On top of all that, Helm, much like Staples, was now more in demand than ever, sought out by a younger generation of artists who rightfully revered him not only as one of the greatest drummers of all time, but as a patron saint of the American musical canon.