Sanatçının Albümleri
Bobby Hackett Sextet & Quintet
1999 · albüm
Easy To Love
2023 · albüm
Destiny of Love
2021 · albüm
At the Jazz Band Ball
2021 · albüm
Dixieland Giant
2020 · albüm
One of Us
2020 · albüm
Sentimental Blues
2020 · albüm
The Trumpet Player
2017 · albüm
The Best In His Field
2016 · albüm
Jazz Ultimate
2013 · albüm
Bobby Hackett - Volume 1
2012 · albüm
Candlelight and Romance
2012 · albüm
Jazz In Hi-Fi
2011 · albüm
The Capitol Vaults Jazz Series (Remastered)
2011 · albüm
Jazz Foundations Vol. 8
2008 · albüm
Sweet Georgia Brown (The Best Of)
2008 · derleme
Live at Nick's and Boston
2006 · albüm
Live @ Roosevelt Grill V3
1970 · albüm
Live At the Roosevelt Grill
1970 · albüm
Live At the Roosevelt Grill 2
1970 · albüm
Live At the Roosevelt Grill,
1970 · albüm
Plays Tony Bennett's Greatest Hits
1966 · derleme
That Midnight Touch
1967 · albüm
Bobby/Billy/Brasil
1968 · albüm
The Swingin'est Gals in Town
1966 · albüm
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Biyografi
Bobby Hackett's mellow tone and melodic style offered a contrast to the brasher Dixieland-oriented trumpeters. Emphasizing his middle-register and lyricism, Hackett was a flexible soloist who actually sounded little like his main inspiration, Louis Armstrong. When Hackett first came up he was briefly known as "the new Bix" because of the similarity in his approach to that of Bix Beiderbecke, but very soon he developed his own distinctive sound. Originally a guitarist (which he doubled on until the mid-'40s), Hackett performed in local bands, and by 1936 was leading his own group. He moved to New York in 1937, played with Joe Marsala, appeared at Benny Goodman's 1938 Carnegie Hall concert (recreating Beiderbecke's solo on "I'm Coming Virginia"), recorded with Eddie Condon, and by 1939 had a short-lived big band. Hackett played briefly with Horace Heidt, and during 1941-1942 was with Glenn Miller's Orchestra, taking a famous solo on "String of Pearls." Next up was a stint with the Casa Loma Orchestra, and then he became a studio musician while still appearing with jazz groups. Hackett was a major asset at Louis Armstrong's 1947 Town Hall Concert, in the 1950s he was a star on Jackie Gleason's commercial but jazz-flavored mood music albums, and he recorded several times with Eddie Condon and Jack Teagarden. During 1956-1957, Hackett led an unusual group that sought to modernize Dixieland (using Dick Cary's arrangements and an unusual instrumentation), but that band did not catch on. Hackett recorded some commercial dates during 1959-1960 (including one set of Hawaiian songs and another in which he was backed by pipe organ), he worked with Benny Goodman (1962-1963); backed Tony Bennett in the mid-'60s; co-led a well-recorded quintet with Vic Dickenson (1968-1970); and made sessions with Jim Cullum, the World's Greatest Jazz Band, and even Dizzy Gillespie and Mary Lou Williams, remaining active up until his death. Among the many labels Bobby Hackett recorded for as a leader were Okeh (reissued by Epic), Commodore, Columbia, Epic, Capitol, Sesac, Verve, Project 3, Chiaroscuro, Flying Dutchman, and Honey Dew. ~ Scott Yanow, Rovi