Sanatçının Albümleri
Flying Home: The Best Of The Verve Years
1994 · derleme
Illinois Jacquet Flies Again
1991 · albüm
The Blues; That's Me!
1991 · albüm
Loot To Boot
1990 · albüm
40's Stomps
2021 · albüm
Big Band Live in Berlin, 1987
2014 · albüm
The Top 50 Jazztunes
2013 · albüm
Jacquet Jumps
2011 · albüm
Best Songs - Illinois Jacquet, Vol. 1
2010 · albüm
Jacquet's Street (Nice, France 1976)
2008 · albüm
Bottoms Up
2007 · albüm
Jacquet's Got It
2005 · albüm
Jumpin' at Apollo
2002 · albüm
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Eddie "Lockjaw" Davis
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Biyografi
One of the great tenors, Illinois Jacquet's 1942 "Flying Home" solo is considered the first R&B sax solo, and spawned a full generation of younger tenors (including Joe Houston and Big Jay McNeely) who built their careers from his style, and practically from that one song. Jacquet, whose older brother Russell (1917-1990) was a trumpeter who sometimes played in his bands, grew up in Houston, and his tough tone and emotional sound defined the Texas tenor school. After playing locally, he moved to Los Angeles where, in 1941, he played with Floyd Ray. He was the star of Lionel Hampton's 1942 big band ("Flying Home" became a signature song for Jacquet, Hampton, and even Illinois Jacquet' successor Arnett Cobb), and also was with Cab Calloway (1943-1944) and well featured with Count Basie (1945-1946). Jacquet's playing at the first Jazz at the Philharmonic concert (1944) included a screaming solo on "Blues" that found him biting on his reed to achieve high-register effects; the crowd went wild. He repeated the idea during his appearance in the 1944 film short Jammin' the Blues. In 1945, Jacquet put together his own band, and both his recordings and live performances were quite exciting. He appeared with JATP on several tours in the 1950s, recorded steadily, and never really lost his popularity. In the 1960s, he sometimes doubled on bassoon (usually for a slow number such as "'Round Midnight") and it was an effective contrast to his stomping tenor. In the late '80s, Jacquet started leading an exciting part-time big band that only recorded one album, an Atlantic date from 1988. Through the years, Illinois Jacquet (whose occasional features on alto are quite influenced by Charlie Parker) has recorded as a leader for such labels as Apollo, Savoy, Aladdin, RCA, Verve, Mercury, Roulette, Epic, Argo, Prestige, Black Lion, Black & Blue, JRC, and Atlantic. Illinois Jacquet died on July 22, 2004. ~ Scott Yanow, Rovi