Sanatçının Albümleri
July in Paris
1998 · albüm
The Jaki Byard Experience
1998 · albüm
This Happening
1997 · albüm
Hi-Fly
1996 · albüm
The Maybeck Recital Series, Vol. 17
1992 · albüm
Phantasies II
1991 · albüm
Blues For Smoke
1989 · albüm
To Them - To Us
1982 · albüm
Improvisations
1981 · albüm
Parisian Solos
1971 · albüm
Family Man
1978 · albüm
Eclectic Style
2021 · albüm
R&B
2016 · albüm
Duet
2015 · albüm
The Magic of 2 (Live at Keystone Korner)
2013 · albüm
The Last From Lennie's
2003 · albüm
Here's Jaki
1961 · albüm
Benzer Sanatçılar
Elmo Hope
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Booker Little
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Clifford Jordan
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Jackie McLean
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Phineas Newborn Jr.
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Oscar Pettiford
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Booker Ervin
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Horace Parlan
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Mal Waldron
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Barry Harris
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Ray Bryant
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Herbie Nichols
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Kenny Drew
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Hampton Hawes
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Lennie Tristano
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Freddie Redd
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Cedar Walton
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John Lewis
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Biyografi
The late Jaki Byard was, arguably, the most versatile pianist in jazz, though he also played trombone and was an excellent tenor saxophonist. Born in 1922, he grew up during the golden era, and while younger than Duke Ellington, he embraced, as had his predecessor, all of the changes the music went through, from its origins in New Orleans through the free improvisation era. Byard would, in a single solo concert, reveal his truly awesome mastery of the aforementioned styles, as well as R&B, stride, swing, funk, blues, honky tonk, and the extreme arpeggios of Art Tatum. But Byard's style was completely his own, developed from his early days playing with Earl Bostic in the late '40s and early '50s. After leaving Bostic, he played with Herb Pomeroy and Maynard Ferguson until he won a spot in the legendary Charles Mingus band of 1962-1964 along with Eric Dolphy. He also recorded with Dolphy and Booker Ervin, as well as Charlie Mariano and Rahsaan Roland Kirk. One of his notable achievements was as the pianist in the Mingus band that tore apart concert halls all over Europe in 1964. Between 1961 and 1972, he issued a string of his own dates for Prestige (Hi-Fly, Here's Jaki, and Out Front! among them) and other labels; they embody his finest work, with a rhythm section that included Richard Davis and Alan Dawson, though he never made a bad record. Byard became an educator in the early '70s (after another collaboration with Mingus in 1970), teaching at Harvard, the Hartt School of Music, and the New England Conservatory, and he recorded and performed intermittently the world over until his death from a gunshot wound in 1999. ~ Thom Jurek, Rovi