Kommode

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Let Kommode in, and you will be consumed by Analog Dance Music, the first album from the Bergen-natives that fills the air with sounds from samba to jazz, much like a continental wind that wistfully blows throughout the ten songs. Kommode sees Eirik Glambek Bøe go beyond the usual indie-minimalist pursuits in Kings of Convenience. His new project has a much different ambition – to produce a sound that is rich and full. Kommode succeeds in creating music that would be the ideal soundtrack to a midsummer’s party, surrounded by friends, kissed by the sun, wine in hand, overlooking the ocean in the south of France. Glambek Bøe’s describes a picture that sums up the thinking around the new band. Three friends are lined up on a dusty Norwegian gravel track, covered in sweat. The evening sun squeezes between the rooftops that surround the football pitch. The young men have just finished a social game. It's child's play, done for pure enjoyment. And it is precisely this that Glambek Bøe missed when it came to his music – playing just for the love of it. He endeavoured to play music his way. Without a device, without interviews, mostly without concerts. Music for music's sake. Out of that idea came Kommode.