Sanatçının Albümleri
Exusiai
1999 · albüm
Kamiya Bar
1995 · albüm
Mom's
1992 · albüm
Woo Lae Oak
1983 · single
Electronic Music from 1972-2022
2023 · albüm
We Jazz Reworks, Vol. 2
2022 · albüm
Omar
2022 · single
Gall Tones
2022 · mini albüm
Coraloense
2022 · single
Wat Dong Moon Lek
2022 · albüm
Stolen Car
2020 · albüm
Synkretika (Live in Tokyo)
2020 · albüm
Højder - Single (Carl Stone Remix)
2019 · single
Himalaya
2019 · albüm
Baroo
2019 · albüm
Electronic Music from the Eighties and Nineties
2018 · albüm
Electronic Music from the Seventies and Eighties
2016 · albüm
Al-Noor
2007 · albüm
Morangak
2005 · single
Benzer Sanatçılar
Biyografi
Carl Stone is one of the pioneers of live computer music. He studied composition at CalArts with Morton Subotnick and James Tenney and has composed electro-acoustic music almost exclusively since 1972. When New Music was exiting the loft scene of the 1970s and entering the more commercial realm of the 1980s, Stone guided his art through that transition period by fusing his compositional ambitions with systems of live performance that were simultaneously pop savvy, commercially suicidal, and technologically forward-thinking. He moved away from pure electronic sound and was among the vanguard of artists incorporating turntables, early digital samplers, and personal computers into live electronic music composition. An adopter of the Max programming language while it was still in its earliest development at the IRCAM research center, Stone continues to use it as his primary instrument, both solo and in collaboration with other improvisers. In addition to his work as a composer, Stone served as Music Director of KPFK-FM in Los Angeles from 1978-1981, director of Meet the Composer California from 1981-1997, and President of the American Music Center from 1992-1995. He currently divides his time between Los Angeles and Japan, where he is a faculty member of the Department of Media Engineering at Chukyo University in Japan.