Sanatçının Albümleri
Spotify Singles
2023 · single
Henry St.
2023 · albüm
Too Late for Edelweiss
2022 · albüm
I Love You. It's a Fever Dream.
2019 · albüm
I'm a Stranger Now / The Running Styles of New York
2019 · single
The Running Styles of New York
2019 · single
Then I Won't Sing No More
2018 · single
When The Bird Sees The Solid Ground
2018 · mini albüm
Down in My Heart
2018 · single
Forever Is a Very Long Time
2018 · single
Somewhere in the Mountains, Somewhere in New York
2018 · single
An Ocean
2018 · single
The Tallest Man On Earth with yMusic
2017 · mini albüm
Rivers
2016 · single
Time of the Blue
2016 · single
Dark Bird Is Home
2015 · albüm
Dark Bird Is Home
2015 · single
Sagres
2015 · single
1904 b/w Cycles
2012 · single
There's No Leaving Now
2012 · albüm
Sometimes The Blues Is Just A Passing Bird
2010 · mini albüm
Shallow Grave
2010 · albüm
The Tallest Man On Earth
2010 · mini albüm
Graceland
2010 · single
The Wild Hunt
2010 · albüm
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Biyografi
Kristian Matsson has never remained in one place for very long. Having spent much of the last decade touring around the world as The Tallest Man On Earth, Matsson has captivated audiences using, as The New York Times describes, “every inch of his long guitar cord to roam the stage: darting around, crouching, stretching, hip-twitching, perching briefly and jittering away…Mr. Matsson is a guitar-slinger rooted in folk, and his songs are troubadour ballads at heart.” Then came 2020, when Matsson left New York City and returned to his farm in Sweden. There, during that quiet, dreary time of isolation, he drowned out his thoughts by manically growing vegetables in his garden. When he tried writing again, during those many months of collective forced solitude, “I just found myself commenting on the darkness,” Matsson says. “I lost my imagination.” Playing live, music and inspiration returned near the end of 2021, and his produce became less of a priority. “When I’m in motion, I can focus on my instinct, have my daydreams again. When I was finally able to tour again, I started writing like a madman.” He eventually had twenty songs he wanted to record in ten days.