Sanatçının Albümleri
Live at the New Vic Bristol
2022 · albüm
Another Fish
2022 · albüm
Stranger In the Room (Take 2, Alternate Mix)
2021 · single
The Decca Years 1974 to 1977
2021 · albüm
Pleasures of the Street Live
2020 · albüm
Sweet Powder & Wrytree Drift
2020 · albüm
Growing Pains Volume 1 & 2
2020 · albüm
Plaindealer + The Twisted Road
2020 · albüm
Americana 1 & 2
2019 · albüm
True North
2019 · albüm
Truck Song
2019 · single
After All This Time
2019 · single
It’s Too Late
2018 · single
EB=MC²
2017 · albüm
50
2017 · albüm
Memphis in Winter
2017 · single
Sometimes You Just Drive
2016 · single
That Time of Night
2016 · single
Lescudjack
2016 · single
Journeyman
2015 · albüm
Fish
2015 · albüm
The Man Who Hated Mornings
2015 · albüm
Deal Gone Down
2015 · albüm
Savage Amusement (Deluxe Version)
2015 · albüm
Playing Guitar the Easy Way
2014 · albüm
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Biyografi
Veteran British songwriter Michael Chapman ranks among the innovative midcentury English guitarists—Davey Graham, Richard Thompson, and Michael’s old friend Mike Cooper are others—who transposed the atmosphere and syntax of the blues to a British context through reinvention and deconstruction rather than imitation. But Chapman uniquely deploys his liquid virtuosity and his resonant, slurred Yorkshire burr as vehicles for his mournful (and often barbed) musings on the pleasures and perils of hard living. His music feels suffused with the crooked logic, unfulfilled longing, and existential danger of dreams, shaded with his own wry sensibility of Northern darkness. Like a peaty whiskey (or Bob Dylan), the smoky gravitas of his playing and singing has grown more trenchant and entrenched with age; no one else sounds like him. It’s difficult not to describe Michael’s long career and his vast, masterful body of work obliquely, by reeling off his musical genealogy, the astounding roll call of collaborators, comrades, and disciples with whom he’s shared stages, studios, and his sturdy songs. His emergence in 1967, alongside Wizz Jones, as a self-taught jazz freak, recovering art-school student, and part-time photography teacher on the Cornish folk circuit preceded a series of classic late 1960s and ’70s albums for Harvest, Deram, and Decca. (But whatever you do, don’t call him a folkie; he feels more kinship with the improvisatory outer orbits of jazz, blues, and the avant-garde.)