Sanatçının Albümleri
O Sorriso do Samba
2023 · albüm
Tradição
2023 · albüm
O Seu Nome É África
2023 · albüm
Na Alma
2023 · albüm
Muito Prazer, Meu Nome É Salvador
2023 · single
Repaginou
2022 · single
Pinduca É o Rei
2022 · albüm
Playlist Brasileira 1 (Deluxe Edition)
2022 · albüm
A Vida do Viajante
2022 · single
Imagina Sem Deus
2022 · albüm
Mandarina
2022 · albüm
Marina
2022 · single
Queira Deus
2022 · albüm
Martinho É do Samba e da Vila
2022 · albüm
Leve
2022 · albüm
A Voz do Meu Coração
2022 · single
O Tempo Que Se Tem
2022 · albüm
Chame Gente
2022 · single
Luiz Caldas e Saulo (Ao Vivo na Macaco Gordo)
2022 · albüm
Olhar de Xamã
2022 · albüm
From Dawn to Dusk
2022 · albüm
Cabeça Pronta
2021 · albüm
Playlist Brasileira 1
2021 · albüm
Reluz
2021 · single
A Força do Amor
2021 · single
Omi
2021 · albüm
Benzer Sanatçılar
Ricardo Chaves
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Chiclete Com Banana
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Timbalada
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Margareth Menezes
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Banda Eva
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Cheiro de Amor
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Babado Novo
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Daniela Mercury
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Banda Mel
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Bamdamel
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Netinho
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Olodum
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Durval Lelys
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Pepeu Gomes
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Asa De Águia
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Beto Barbosa
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Terra Samba
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Ara Ketu
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Banda Beijo
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É O Tchan
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Biyografi
Luiz Caldas was the precursor to the axé music phenomenon, which, with its huge national success, shattered the dominance of the phonographic production concentrated in the cities of Rio de Janeiro and São Paulo. Caldas' album, Magia, sold 380,000 copies and brought many trio elétrico bands to the genre, which later became a large and solid market niche for many artists. Among other things, he was the lead vocalist (puxador) of the Bloco de trio Camaleão (with whom Carlinhos Brown also worked). In the '80s, Caldas brought his band, Acordes Verdes, to work with him at the studio, shaping the sound of his productions in a more personal way. At the same time, he became the vocalist of the Bloco de trio Beijo; this was when he recorded a version of Paul Simon and Art Garfunkel's "Mrs. Robinson" with a percussive arrangement. It had some success, soon renovated by "Fricote" ("Nega do Cabelo Duro") (Caldas/Paulinho Camafeu), which, reached national success in Caldas' rendition. His album, Magia (1985), opened the way for a national tour and signing with PolyGram (today Universal) for three albums. More importantly, the innovative blending introduced the percussive sound of the drumming of the Afro-Blocos mixed with the arrangements in Caldas' music, employing the bass/guitar/keyboards of the Blocos de trio; this was incorporated by several other bandas de trio in Salvador, giving birth to axé music. ~ Alvaro Neder, Rovi