Sanatçının Albümleri
Goldstein
2022 · single
Kleo (Soundtrack from the Netflix Series)
2022 · albüm
The Message
2022 · single
Allein Reprise (feat. Eckart Runge & Jacques Ammon)
2020 · single
Bis in den Mondenschein (feat. Meret Becker)
2020 · single
Der Drache
2020 · single
Breaking In (Original Motion Picture Soundtrack)
2018 · albüm
Jungle (Original Motion Picture Soundtrack)
2017 · albüm
I, Frankenstein Podcast
2016 · single
Wolf Creek 2 (Original Motion Picture Soundtrack)
2015 · single
I, Frankenstein (Original Motion Picture Score)
2014 · albüm
Cloud Atlas (Original Motion Picture Soundtrack)
2012 · albüm
Killer Elite (Motion Picture Soundtrack)
2011 · albüm
Teufelskicker (Original Soundtrack)
2010 · albüm
The Cave Score
2008 · albüm
Benzer Sanatçılar
Clint Mansell
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Roque Baños
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Thomas Wander
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Tom Tykwer
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Clinton Shorter
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Benjamin Wallfisch
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Don Davis
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Moka Efti Orchestra
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Reinhold Heil
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Jeff Beal
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John Murphy
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David Buckley
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John Ottman
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Marco Beltrami
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Biyografi
JOHNNY KLIMEK is a fourth generation film composer, equally comfortable in the electronic studio and on the recording stage. His style is a genuine hybrid of the ambient soundscapes and propulsive grooves he mastered during his formative years in the Berlin underground and the classic film scoring tradition so much associated with Hollywood. Both worlds are in evidence in his career-defining work for Tykwer, beginning with the breakthrough hit, Run, Lola, Run, and continuing through Perfume, The International, and Cloud Atlas. Born in Australia, Johnny paid his dues down-under with a series of gritty pub bands, but the genesis of his knife-edged electronics and lush, dreamy sound pictures was his baptism in the Berlin electronica under-ground. Initially migrating to Berlin to form the Eighties pop ensemble, The Other Ones with his siblings, he segued into the club music scene on his own in the Nineties. The worldwide success of the Lola score put Johnny on the map and catalyzed his move to Los Angeles and the establishment of his Echo Park studio. Since then, he has seen a steady stream of cinematically striking projects and has become something of a go-to composer for film and television involving parallel realities and slipping time frames. His hybrid style suits this zeitgeist genre well.