Sanatçının Albümleri
Do About Her
2022 · single
The Spaces In Between
2022 · albüm
Supposed To Be
2022 · single
All Sides Of Me
2022 · single
The Spaces In Between
2022 · single
100 Years
2021 · single
I've Been Gone
2021 · single
The Best (Breathe of My Leaves Mix)
2020 · single
The Best
2020 · single
The Skin I'm In
2019 · albüm
Picture of You
2019 · single
The Skin I'm In
2019 · single
Runnin' Down a Dream
2018 · single
Get to the Part
2016 · single
Holding Patterns
2016 · albüm
Red Dress (feat. Chantal Kreviazuk)
2016 · single
Keep a Fire
2013 · albüm
Light of Another Day
2011 · albüm
Kiss Me Back
2009 · mini albüm
Amanda Rheaume
2008 · single
If You Never Live
2007 · mini albüm
Even When
2005 · mini albüm
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Amanda Rheaume’s rootsy, guitar-driven ballads introduce crucial dimensions to the world of Heartland Rock. In a genre characterized by anthems of underdogs, assumptions and unfair advantages, Rheaume’s sound and story crucially and radically expand the boundaries, geographic and cultural, to make space for new perspectives on resistance and resilience. A Citizen of the Métis Nation, and an active and proud member of the 2SLGBTQ+ community, Rheaume’s music is indeed from the heart, and the land. First a songwriter, Rheaume comes from a long line of tireless, transformational organizers and activists, and carries this lineage forward in her ever-growing role as a crucial builder of Indigenous music infrastructure and community. From the International Indigenous Music Summit, to newly-founded Ishkode Records, and the National Indigenous Music Office, the goal of raising Indigenous sovereignty in the music industry drives all of Rheaume’s work. Rheaume (she/her) has released 5 full-length albums over a period of 15 years, a self-managed career that has traveled countless tours and milestones. 2013’s Keep a Fire was nominated for a JUNO Award and won a Canadian Folk Music Award for Indigenous Songwriter of the Year. With a new single “100 Years,” a driving, surging Copperhead Road-esque journey through a wilfully, harmfully misrepresented chapter in a violent colonial timeline, Rheaume makes a powerful statement about history and identity.