Sanatçının Albümleri
GRABACIONES RECUPERADAS
2001 · albüm
Y LOS 5 CABALLEROS
2001 · albüm
Swing Guitar Masterpieces
1998 · albüm
Grabaciones Inéditas
2023 · albüm
De Buenos Aires a Paris
2023 · albüm
Ritmos Locos
2022 · albüm
Su Guitarra
2022 · albüm
Bésame Mucho (Remastered)
2021 · albüm
Tico-Tico No Fubá (Remastered)
2021 · albüm
Sweet Georgia Brown (Remastered)
2021 · albüm
Buenos Aires Swing
2021 · albüm
Hombre Mio the Master of Swing Guitar
2020 · albüm
Bajo el cielo de París (Remastered)
2019 · albüm
Moulin Rouge (Remastered)
2019 · albüm
The Jazz Of, Vol. 1
2018 · albüm
The Jazz Of, Vol. 2
2018 · albüm
Bajo el Cielo de París
2016 · albüm
Grandes Exitos, Vol. 1
2016 · derleme
Grandes Exitos, Vol. 2
2016 · derleme
Oscar Aleman Buenos Aires 1965-1975
2012 · albüm
Eternamente Vivo Vol. 2
2011 · albüm
Eternamente Vivo Vol. 1
2011 · albüm
Guitarra del Mundo
2008 · albüm
Bésame Mucho
2007 · albüm
Benzer Sanatçılar
Chango Spasiuk
Sanatçı
Eddie Lang
Sanatçı
Miau Trío
Sanatçı
Osvaldo Pugliese
Sanatçı
Hugo Díaz
Sanatçı
Roberto Grela
Sanatçı
Axel Krygier
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Juanjo Dominguez
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Angelo DeBarre
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Luis Salinas
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Edmundo Rivero
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Melingo
Sanatçı
La Familia de Ukeleles
Sanatçı
Aníbal Troilo
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Biyografi
Oscar Alemán, one of the finest jazz guitarists of the 1930s, is a difficult player to evaluate because he sounded like a near-exact duplicate of Django Reinhardt. Since Django was a year younger, some have speculated that he developed his style from Alemán, although the opposite is just as likely. Alemán began playing guitar as a teenager in Argentina and in the late '20s, he moved to Europe, Spain at first. By 1931, he was living in Paris and during 1933-1935, he was a regular member of Freddy Taylor's Swing Men From Harlem. Alemán appeared on records with trumpeter Bill Coleman and clarinetist Danny Polo and was the leader on eight selections from 1938-1939. He moved back to Argentina in 1941 and, although he recorded as late as 1974, few outside of his native country have ever heard of him. Strangely enough, Oscar Alemán does not seem to have ever visited the United States and none of his many recordings of swing tunes in his post-Europe years (except for a few titles put out by the collectors TOM label) have ever been released domestically. ~ Scott Yanow, Rovi