Sanatçının Albümleri
From The Redwoods To The Rockies
1998 · albüm
The Chet Baker Quartet With Russ Freeman
1998 · albüm
Quartet
1997 · albüm
Holiday
1995 · albüm
The Benoit / Freeman Project
1994 · albüm
Tourist In Paradise
1989 · albüm
Nocturnal Playground
1985 · albüm
My Blues in the Night 1952-1959
2021 · albüm
Moods
2018 · albüm
Safe At Home
2005 · albüm
Benoit/Freeman 2
2004 · albüm
Drive
2002 · albüm
Benzer Sanatçılar
Euge Groove
Sanatçı
Steve Oliver
Sanatçı
Marc Antoine
Sanatçı
Tim Bowman
Sanatçı
David Benoit
Sanatçı
Jeff Lorber
Sanatçı
Chris Standring
Sanatçı
Michael Lington
Sanatçı
Urban Knights
Sanatçı
3rd Force
Sanatçı
Warren Hill
Sanatçı
Joyce Cooling
Sanatçı
Peter White
Sanatçı
Eric Marienthal
Sanatçı
Fattburger
Sanatçı
Nelson Rangell
Sanatçı
Ken Navarro
Sanatçı
Steve Cole
Sanatçı
Jeff Kashiwa
Sanatçı
Biyografi
Pianist Russ Freeman -- not to be confused with the guitarist/leader of the Rippingtons -- was better known as a sideman than a leader, but he was an important collaborator with both Chet Baker and Shelly Manne, leaving his mark on two of the most celebrated bodies of work in West Coast cool jazz. Classically trained as a child, Freeman began making a name for himself on the West Coast jazz scene in the mid-'40s, playing mostly with bebop-oriented groups. During this period, he worked with Howard McGhee, Dexter Gordon, Charlie Parker, Art Pepper, Shorty Rogers, and Wardell Gray, among others. Freeman joined Chet Baker's new quartet in 1953, and their chemistry was immediate as Freeman proved to be perhaps the most sympathetic accompanist the trumpeter/vocalist ever had; his tasteful, well-formulated original compositions also fit Baker's style well and "The Wind" became something of a standard. Their collaboration spanned 1953-1954 and 1956; in 1955, Freeman began another rewarding association with drummer Shelly Manne, which lasted until 1966. Most of his infrequent sessions as a leader were recorded during the mid-'50s, after which he devoted more time to other aspects of the business: supervising recordings, working with film composers like Johnny Mandel and Manne associate Andre Previn, forming his own publishing company in 1962, and working as a musical director for several nightclubs and TV shows. After leaving Manne's group, Freeman's jazz recordings became fewer and fewer; there were occasional appearances with old West Coast cohorts up until the early '80s, after which Freeman effectively retired. ~ Steve Huey, Rovi