Sanatçının Albümleri
The Lambs
2001 · albüm
Calling All Cars On The Vegas Strip
1998 · albüm
نظم
2020 · albüm
Futility
2019 · mini albüm
District of Dystopia
2014 · albüm
За Волгой Для Нас Земли Нет
2013 · albüm
Nadir: Four Track Demos (Reissue)
2011 · mini albüm
Throned in Blood
2010 · albüm
L'autrichienne
2008 · albüm
If Thine Enemy Hunger
2006 · albüm
War Bird
2004 · albüm
I Name You Destroyer
2002 · albüm
Benzer Sanatçılar
Floor
Sanatçı
Fudge Tunnel
Sanatçı
Ufomammut
Sanatçı
Helms Alee
Sanatçı
Cough
Sanatçı
Neurosis
Sanatçı
TODAY IS THE DAY
Sanatçı
Bongzilla
Sanatçı
Old Man Gloom
Sanatçı
The Body
Sanatçı
Eyehategod
Sanatçı
Weedeater
Sanatçı
Thou
Sanatçı
Torche
Sanatçı
Big Business
Sanatçı
Buzzov•en
Sanatçı
Black Tusk
Sanatçı
Kylesa
Sanatçı
Made Out Of Babies
Sanatçı
Biyografi
Over its 28 year existence Jucifer has carved out a reputation for onstage sound which, loosely categorized as 'sludge metal', careens venomously through every extreme and tempo of metal and punk. The band's motto "sludge, black, grind, thrash, death, crust, doom, combine" or more briefly "genre = obliterate" is fair warning. In the meantime, members Gazelle Amber Valentine and Edgar Livengood kept true to isolated artistic visions for each album they released, with a commitment to eclecticism (and disregard for marketing tactics) as violent, in its way, as their furious live performances. From one track of any Jucifer album to the next, let alone between albums and live recordings, the listener may find themselves wondering if there is one Jucifer or many. And the answer is yes. The versions of itself this band has crafted in studios over a couple of decades are representations of Jucifer's narrative ideas. And the Jucifer which arrives at venues around the world to lay waste to preconceptions based on such ideas is the band as itself and only itself, in its purest form and force. Constantly on tour for twenty years and heavily touring before that, Jucifer has maintained a primary goal of honing live sets to a fierce razor sharpness while periodically releasing records that may reflect the band's core sound little if at all. The result is an unusually varied repertoire of recordings, always tracing back to Valentine and Livengood but free to travel anywhere,