I Don't Want To Set The World On Fire - Single Version
20th Century Masters: The Millennium Collection: Best Of The Ink Spots
Sanatçı · ayda 1 172 002 dinleyici
1972 · albüm
1999 · albüm
1998 · albüm
1995 · albüm
1981 · derleme
1979 · albüm
2023 · derleme
2023 · single
2022 · albüm
2022 · single
2021 · single
2020 · albüm
2020 · single
2005 · derleme
1950 · albüm
1961 · albüm
1964 · albüm
1935 · albüm
Sanatçı
Sanatçı
Sanatçı
Sanatçı
Sanatçı
Sanatçı
Sanatçı
Sanatçı
Sanatçı
Sanatçı
Sanatçı
Sanatçı
Sanatçı
Sanatçı
Sanatçı
Sanatçı
Sanatçı
Sanatçı
Sanatçı
The Ink Spots played a large role in pioneering the Black vocal group-harmony genre, helping to pave the way for the doo wop explosion of the '50s. The quavering high tenor of Bill Kenny presaged hundreds of street-corner leads to come, and the sweet harmonies of Charlie Fuqua, Deek Watson, and bass Hoppy Jones (who died in 1944) backed him flawlessly. Kenny's impeccable diction and Jones's deep drawl were both prominent on the Ink Spots' first smash on Decca in 1939, the sentimental "If I Didn't Care." From then through 1951, the group was seldom absent from the pop charts, topping the lists with "We Three (My Echo, My Shadow, and Me)" (1940), "I'm Making Believe" and "Into Each Life Some Rain Must Fall" (both in 1944), and "The Gypsy" and "To Each His Own" (both in 1946). Watson eventually split to form his own group, the Brown Dots, and appeared in numerous low-budget film musicals, while Kenny attempted a solo career, notching a solo hit in 1951 with the uplifting "It Is No Secret." Countless groups masquerading as the Ink Spots have thrived across the nation since the '50s. ~ Bill Dahl, Rovi