Sanatçının Albümleri
El Paraguas
2022 · single
Agüita: Remixes
2022 · mini albüm
Spotify Singles
2021 · single
Agüita
2020 · albüm
Bishouné: Alma del Huila Instrumentals
2020 · mini albüm
Someone / Agüita / Bloom - A COLORS SHOW
2020 · single
Golden Wings (Chamber Arrangement)
2018 · single
Golden Wings
2018 · single
Long Ears (Remix)
2018 · single
Crawl (Remix)
2018 · single
The Game (Remix)
2018 · single
Bombo Fabrika (Remix)
2017 · single
Jardín (Instrumentals)
2017 · albüm
Sour Mango (Seven Davis Jr. Remix)
2017 · single
Crawl (Karriem Riggins Remix)
2017 · single
Jardín
2017 · albüm
Pour Maman (Archie Pelago Remix)
2014 · single
Bishouné: Alma del Huila
2014 · mini albüm
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Biyografi
For those who’ve followed Gabriel Garzón-Montano since his 2014 debut Bishouné: Alma Del Huila, the critically-lauded, self-produced EP that put him on the map, and served as sample fodder for a handful of popular music’s most iconic artists, it is known he is poised for greatness. His follow-up LP, 2017’s Jardin, melded classical and folkloric instruments with rnb, hip-hop, and cumbia, proving once again that Gabriel is comfortable making transformative, funky, cathartic records all by himself. Now, the artist is present, and he is in final form. Garzón-Montano’s ability to execute a wide range of musical styles is his secret weapon – and so it is no wonder he bristles at the prospect of settling into any one genre. “Genre has never been a consideration,” he says. “The idea of genre uses fear of failure as a baseline. Genre puts the music in a box.” After debuting three new tracks with an iconic COLORS performance, we see this more than ever- Whether it's being the debonair leading man, the wistful impressionist, and the Latino Urbano hitmaker. In this life, a first-generation American, born in Brooklyn to French and Colombian parents, can weave tapestries of sound that defies genre. Where big brujo energy means blunts and 3 inch heels; it means Appolonia’s hands around you from the back of that motorcycle; it means nueva cancion, and reggaeton; it means the rabid, joyful individualism of funk – of oneness – of the one. (Yeah, in this life - you’re on your own.)