Sanatçının Albümleri
Music around the World by Miguel Calo
2023 · derleme
Tango Selección
2023 · albüm
Milonga Portena - Miguel Calo Early Tangos
2021 · albüm
El Rey del Tango (Remastered)
2020 · albüm
The 12 Days of Christmas with Miguel Calo
2019 · derleme
In Love with Miguel Calo
2019 · derleme
Miguel Caló y Su Orquesta Típica
2019 · albüm
Maleva
2018 · albüm
Antología
2017 · albüm
Flor de Lino
2016 · albüm
A Martín Fierro
2016 · albüm
Fruta Amarga
2016 · albüm
Pobre Mi Madre Querida
2016 · albüm
Mi Cantar
2015 · albüm
Los Inmortales del Tango
2015 · albüm
Los 25 Mejores Tangos
2015 · albüm
Mano a Mano
2015 · albüm
Al Compás del Corazón
2015 · albüm
(1936-1942), Vol. 2
2014 · albüm
Grandes Exitos
2014 · derleme
Saludos
2014 · albüm
El Valor de Lo Recuperado
2013 · albüm
Tango Classics 226: El divorcio
2012 · albüm
Tango Classics 227: En Fa Menor
2012 · albüm
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Biyografi
Miguel Caló was an important bandleader, composer, and bandoneon master, and one of the great tango innovators of the 20th century. Revered in his home country of Argentina, his influence has spread globally during the 21st century. After conducting the bands of Osvaldo Fresedo and Francisco Pracánico, in 1929 he formed his first of several orchestras, which featured prominent future bandleaders and soloists including Miguel Nijensohn, Carlos Dante, Argentino Galvan, Raul Beron, Domingo Federico, Eduardo Rovira, Antonio Rodio, Hugo Baralis, and Alberto Podesta. His greatest influence, however, came during the tango revolution of the 1940s -- he was among the most sought-after arrangers, bandleaders, and performers of the decade. While he is primarily remembered as a bandleader, Caló composed numerous tangos, both instrumental and vocal. Some, including "Milonga Porteña," "Todo Es Mentira," "Ternuras," "Cobrate y Dame el Vuelto," "Qué Te Importa que Llore," and "Dos Fracasos," are considered immortal classics. In 2016, nearly 45 years after his death, the compilation Siguen Los Exitos de La Orquesta de Miguel Calo placed in the Top Ten in the Latin Pop Albums, number 48 at Top Latin Albums, and 25 on the Jazz Albums charts. ~ Thom Jurek, Rovi