Sanatçının Albümleri
Luzia
1998 · albüm
Mi Historia: Paco De Lucia
1997 · albüm
Paco De Lucia, Al Di Meola, John McLaughlin
1996 · albüm
Antologia Vol.1
1995 · albüm
Las Mejores Guitarras
1993 · albüm
Live In America
1993 · albüm
Concierto De Aranjuez
1992 · albüm
Grandes del Flamenco: Fosforito
1991 · albüm
Zyryab
1990 · albüm
Siroco
1987 · albüm
Paco de Lucia: The Montreux Years (Live)
2023 · albüm
Paco de Lucía: Selección
2022 · derleme
Básicos
2020 · derleme
Live At Montreux 1987
2016 · albüm
Canción Andaluza
2014 · albüm
Anthology
2014 · albüm
Cante y Guitarra
2013 · albüm
En Vivo - Conciertos Live In Spain 2010
2012 · albüm
Integral
2010 · albüm
El Flamenco es... Paco De Lucia
2010 · albüm
Canciones Andaluzas Para Dos Guitarras
2003 · albüm
Cositas Buenas
2003 · albüm
Por Descubrir
2003 · albüm
Benzer Sanatçılar
Pata Negra
Sanatçı
Duquende
Sanatçı
Strunz & Farah
Sanatçı
Manitas De Plata
Sanatçı
Juan Serrano
Sanatçı
Tomatito
Sanatçı
Paco Peña
Sanatçı
Enrique Morente
Sanatçı
Vicente Amigo
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Estrella Morente
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Camaron De La Isla
Sanatçı
Manolo Sanlucar
Sanatçı
Lole Y Manuel
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Sabicas
Sanatçı
Niño Josele
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Diego El Cigala
Sanatçı
Jose Merce
Sanatçı
Son De La Frontera
Sanatçı
Biyografi
The role of the flamenco guitar evolved considerably through the playing of Paco de Lucia (born Francisco Sanchez Gomez). The son of flamenco guitarist Antonio Sanchez and the brother of a flamenco guitarist, Ramón de Algeciras, and flamenco singer, Pepe de Lucia, Paco de Lucia extended the former accompaniment-only tradition of flamenco guitar to include deeply personal melodic statements and modern instrumentation. His collaborations included ten albums with flamenco vocalist El Camaron de la Isla and work with American pianist Chick Corea and the Guitar Trio, featuring guitarists John McLaughlin, Larry Coryell, and Al DiMeola. His recordings with his sextet, which included his brothers Ramón and Pepe, include such groundbreaking masterpieces as La Fabulosa Guitarra de Paco de Lucia, Fantasia Flamenca, Fuente y Caudal, Almoraima, and Zyryab. Yet, de Lucia did not completely forsake traditional flamenco. His 1980 album, Interpreta a Manuel de Falla, paid homage to the classical composer and flamenco enthusiast, while his 1987 album, Siroco, marked a return to pure flamenco. "I have never lost the roots in my music," de Lucia said during a late-'90s interview, "because I would lose myself. What I have tried to do is have a hand holding onto tradition and the other scratching, digging in other places, trying to find new things I can bring into flamenco." Born in Algeciras, a small city in southernmost Spain's Cadiz province, de Lucia was bred to be a world-class musician. He trained with his father and brother from the age of five. Mastering the art of flamenco guitar by his 11th birthday, he made his public performance debut on Radio Algeciras in 1958. A year later, he received a special award at the Festival Concurso International Flamenco de Jerez de la Frontera. Heralded as a child prodigy, de Lucia was invited to join the flamenco troupe led by dancer José Greco at the age of 16. He remained with the group for three years. A turning point in de Lucia's musical development came while on tour with Greco's troupe in North America. Meeting Sabicas, the first flamenco guitarist to tour the world, he was instructed to pursue his own style of playing. Although he remained tied to traditional flamenco on his first two solo albums -- La Fabulosa Guitarra de Paco de Lucia in 1967 and Fantasia Flamenca in 1969 -- and recorded ten albums accompanying flamenco vocalist de la Isla, de Lucia continued to seek a personal approach. The renowned guitarist died suddenly and unexpectedly of a heart attack in Mexico in February 2014; he was 66 years old. The city of Algeciras, de Lucia's birthplace, declared two days of official mourning. ~ Craig Harris, Rovi