Sanatçının Albümleri
槇原敬之 Concert Tour 2022 ~宜候~
2022 · albüm
Bespoke
2022 · albüm
宜候
2021 · albüm
夢の中へ
2019 · single
The Best of Listen To The Music
2019 · single
Design & Reason
2019 · albüm
記憶
2018 · mini albüm
Believer
2017 · albüm
理由
2016 · mini albüm
No.1
2015 · single
超えろ。
2015 · mini albüm
Lovable People
2015 · albüm
Fall
2014 · mini albüm
Life Goes On~like nonstop music~
2014 · mini albüm
Listen To The Music 3
2014 · albüm
春うた、夏うた。〜どんなときも。
2013 · albüm
秋うた、冬うた。〜もう恋なんてしない
2012 · albüm
四つ葉のクローバー
2012 · mini albüm
EARLY 7 ALBUMS
2012 · albüm
恋する心達のために
2012 · mini albüm
Dawn Over the Clover Field
2012 · albüm
林檎の花
2011 · single
Heart to Heart
2011 · albüm
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Making his way into the dense J-Pop scene in the early '90s, Noriyuki Makihara quietly bucked the trend of short and trendy artist lifespans, remaining in the scene for close to 20 years. After some major early hits with 1991's "Donnatokimo" and 1992's "Mou Koi Nante Shinai," Makihara began updating his sound to match the contemporary scene (though a fair amount of Casio keyboard-style synthesizers can be heard in the earliest pieces). Bit by bit, Makihara became a contemporary artist, and although his sales lagged for a time (temporarily highlighted by the use of "Ashioto" as the theme for the Nagano Winter Olympics), he returned to the scene in the late '90s with pieces such as "Hungry Spider," taking some cues from American alternative stylings. Continuing to pump out single after single, album after album throughout the first decade of the new century, Makihara may not have differentiated hugely from the rest of the J-Pop world, but earned a place for himself in the pantheon of J-Pop notables through sheer longevity. As of late 2007, Makihara had returned to the Oricon charts with "Kanashimi Nante Nan no Yaku ni mo Tatanai to Omotteita," remaining high in the rankings for months after its release. ~ Adam Greenberg, Rovi