Sanatçının Albümleri
Son De La Loma
2023 · albüm
En San Juan de Puerto Rico (Deluxe Edition)
2023 · albüm
Cuba
2023 · albüm
Corazon Herido - Trio Matamoros Boleros
2022 · albüm
Puro Amor
2021 · albüm
Son Cubano para Gozar
2021 · albüm
Alma De Roca
2021 · albüm
El Son Cubano del Trío Matamoros (Remastered)
2020 · albüm
Retrato
2019 · albüm
Tres Grandes Tríos de Cuba
2019 · albüm
Extincion
2018 · albüm
Legendario (Remastered)
2018 · mini albüm
La China en la rumba
2018 · albüm
Las maracas de Cuba
2018 · albüm
Legendario (Remastered)
2018 · albüm
Grandes Trios de Cuba
2015 · albüm
Trío Matamoros y Aquellas Canciones
2015 · albüm
Legends of the Cuban Music, Vol. 5
2015 · albüm
Dos Grandes Trios Cubanos
2015 · albüm
Nostalgia de Cuba
2015 · albüm
Legends of Cuban Music
2014 · albüm
Canciones Escogidas Vol. 1 (Remastered)
2013 · albüm
Canciones Escogidas Vol. 2
2013 · albüm
El último disco (Remastered)
2013 · albüm
Grandes Éxitos
2013 · derleme
Lágrimas Negras (Remastered)
2013 · albüm
Benzer Sanatçılar
Sierra Maestra
Sanatçı
Los Guaracheros De Oriente
Sanatçı
Eliades Ochoa
Sanatçı
Ñico Saquito
Sanatçı
La India De Oriente
Sanatçı
Beny Moré
Sanatçı
Conjunto Casino
Sanatçı
Los Jubilados
Sanatçı
Arsenio Rodríguez
Sanatçı
Orquesta Aragón
Sanatçı
Vieja Trova Santiaguera
Sanatçı
Los Compadres
Sanatçı
Orquesta Riverside
Sanatçı
Orquesta América
Sanatçı
Abelardo Barroso
Sanatçı
Celina González
Sanatçı
Guillermo Portabales
Sanatçı
Joseito Fernández
Sanatçı
Barbarito Diez
Sanatçı
Biyografi
One of the most popular and influential Cuban groups of the '20s and '30s, Trio Matamoros was formed in 1925 by Miguel Matamoros, along with percussionist Siro Rodriguez and guitar player Rafael Cueto. The band performed from 1925 until it disbanded in 1969, hitting several creative peaks along the way. From the beginning, the trio made an impact with its own unique sound, the bolero-son. Their music was rich with harmonies, but also featured the strong rhythm of the son, which was blended with the romanticism of the bolero. The band also expanded and contracted several times during its tenure, at times performing as a trio, septet, orchestra, and conjunto. In the '40s, Matamoros' voice began to falter and he recruited a number of singers to fill in for him. From 1945-1947, Beny Moré sang with the band, at first just filling in Matamoros' part in the trio's harmonies, then taking on a much more focal role. Over the years, the band incorporated elements of swing, mambo, and rhumba into their recordings, and benefited from the mambo craze in the United States in the '50s, eventually recording in a large-band format that better suited the dance fever that was sweeping America. ~ Stacia Proefrock, Rovi