Sanatçının Albümleri
Virtuoso
2023 · albüm
Watermelon Automobile (feat. Saba & MAVI)
2023 · single
Vibrant
2023 · single
VICES
2023 · albüm
Marble Columns (feat. Larry June)
2023 · single
Stingray (feat. Benny The Butcher)
2023 · single
Family Tree
2023 · single
GS 350
2023 · single
Outside
2023 · single
Resonate
2023 · single
Beyond Belief
2022 · albüm
Mint Green
2022 · single
Two 23's
2022 · single
Band of Brothers
2022 · single
Speshal (feat. Stove God Cooks)
2022 · single
You Take the Credit, We'll Take the Check
2022 · albüm
Daytons
2022 · single
Earth Sky
2022 · single
Editorials
2022 · single
Good Lookin'
2022 · single
Keep It Real
2022 · single
Helicopter Homicide (feat. Big Body Bes)
2022 · single
Montega (Deluxe)
2022 · albüm
Montega
2022 · albüm
Drop Top
2022 · single
Kind of Girl
2022 · single
Bricks & Bags
2022 · single
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Harry Fraud stirs up street-splitting beats, soulful grooves, global rhythms, and rich production. With numerous multiplatinum and gold certifications, hundreds of millions of streams, acclaim from Rolling Stone, HYPEBEAST and The FADER, and dozens of projects to his name, the Brooklyn-born producer quietly surprises as he leaves an indelible imprint. Harry Fraud’s production first popped off on “New York Minute” for French Montana before the two delivered the breakout “Shot Caller” in 2011. Rick Ross and P. Diddy notably jumped on the latter’s remix. A string of influential Harry Fraud-produced songs and records followed, including tracks for The Weeknd, Sam Smith, A$AP Rocky, Wiz Khalifa, Lil Peep, Action Bronson, Benny the Butcher and more. He contributed “A Lie” [featuring The Weeknd and Max B] and “Location” to Playboy Carti’s self-titled platinum selling album [2017]. That same year, Fraud produced “Bring Dem Things” [featuring Pharrell] to French’s platinum-certified chart-topping Jungle Rules] and executive produced its gold-selling follow-up Montana [2019]. Ultimately, he never stops breaking boundaries though. “Over the years, I’ve become really confident in my technical programming and beat-making abilities. Now, I want to explore driving the ship and producing in the traditional sense of the world. The artist is in the passenger seat, and I’m like the navigator building fully formed pieces of work.”