Sanatçının Albümleri
Redemption
2021 · single
The Most Wonderful Time of the Year
2020 · single
Home On Native Land
2016 · albüm
Day I Left Home
2016 · single
Doom
2014 · mini albüm
Carpe Jugular
2014 · single
AGE
2014 · albüm
Year of the Spawn
2014 · single
Gay Goth Scene
2013 · single
Origin:Orphan
2009 · albüm
In The NA
2009 · mini albüm
Awoo
2006 · single
Awoo
2006 · albüm
Death of a Tune
2006 · single
Learning the Lie
2005 · single
I Believe in the Good of Life
2004 · single
The Arms of His "ill"
2004 · mini albüm
Mississauga Goddam
2004 · albüm
Play The CBC Sessions
2004 · mini albüm
A Miracle
2003 · single
The Smell Of Our Own
2003 · albüm
Play 'Ban Marriage'
2003 · single
The Smell of Our Own (20th Anniversary Edition)
2003 · albüm
Ecce Homo
2002 · albüm
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Biyografi
With a mix of queer politics, explicit sexuality, symphonic indie pop, and theatrical spectacle that borders on the religious, Toronto's the Hidden Cameras are the brainchild of singer/songwriter/guitarist Joel Gibb. The 2001 debut album Ecce Homo -- a collection of four-track demos released on Gibb's own Evil Evil imprint -- introduced a stripped-down version of the Hidden Cameras' witty, acoustic-based songwriting, which drew comparisons to the Magnetic Fields and Belle & Sebastian. Ecce Homo also caught the ear of Rough Trade, whose signing of Gibb made the Hidden Cameras the first Canadian artist on the label in its 25-year history. Meanwhile, the Cameras' elaborate live performances, which include up to 30 go-go dancers, strippers, and musicians, as well as videos, projected lyrics, and heavy audience participation, won the group a widespread and devoted following in Canada. The Hidden Cameras' 2003 Rough Trade debut, The Smell of Our Own, reflected some of their more elaborate sound more so than Ecce Homo did and spread the group's subversively catchy music further afield. In 2004, the band released its long-awaited follow-up, Mississauga Goddam, named for the Toronto suburb of Gibb's youth. Awoo, which presented a slightly tamer version of the Cameras' "gay church folk music," arrived in 2006. Released in 2009, Origin:Orphan introduced electronic elements to the group's sound, a shift in tone that escalated even further on 2013's expansive AGE. Arriving in 2016, Home on Native Land saw the group celebrating its Canadian homeland via a bucolic set of country-folk songs. ~ Heather Phares, Rovi