The Murlocs

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The sixth full-length from The Murlocs, Rapscallion, is a coming-of-age novel in an album form, populated by an outrageous cast of misfit characters: teenage vagabonds and small-time criminals, junkyard dwellers and truck-stop transients. Over the course of 12 hypnotic and volatile rock-and-roll songs, the Melbourne-based five-piece dream up a wildly squalid odyssey partly inspired by frontman Ambrose Kenny-Smith’s own adolescence as a nomadic skate kid. The most magnificently heavy work yet from The Murlocs, the result is an endlessly enthralling album equally steeped in danger and delirium and the wide-eyed romanticism of youth. Self-produced by the band in the early stages of the pandemic, Rapscallion was recorded remotely in the home studios of Kenny-Smith (vocals, guitar, harmonica), Callum Shortal (guitar), Matt Blach (drums), Cook Craig (bass), and Tim Karmouche (keys). In a departure from the effusive garage-rock of 2021’s Bittersweet Demons, the album’s musical DNA contains strains of stoner-metal and the more primitive edge of post-punk, thanks largely to Shortal’s influence as the primary composer on Rapscallion. For The Murlocs, the making of Rapscallion marked both a major creative leap and a welcome reminiscence of their own youthful exploits. “As a kid I was out the door as soon I could, just chasing new experience, and it felt good to look back on all these wonderful memories of that time" says Kenny-Smith.