Sanatçının Albümleri
Yakushimaru Etsuko Metro Orchestra - Existence of Us
2022 · mini albüm
Unknown World Map
2019 · single
Ballet Mécanique
2018 · single
AfterSchoolDi (e) stra (u) ction
2018 · single
Songs of Atarima Etsuko
2018 · albüm
HIGE THE CAT
2017 · single
FLASH OF DOPAMINE
2017 · single
I'm Humanity
2016 · single
NEW MOON NI KOI SHITE / OTOMESENSOU
2016 · mini albüm
Lonely Planet (Post)
2016 · mini albüm
Yakushimaru Experiment - Flying Tentacles
2016 · albüm
Haikara Hakuchi
2015 · single
Cheer Cheer
2014 · single
Welcome to the Dimension X / Absolutely Monsieur
2014 · single
RADIO ONSEN EUTOPIA
2013 · albüm
Lonely Planet
2012 · single
Boys, come back to me
2011 · single
Yakushimaru Etsuko Metro Orchestra - Nornir / Boys, come back to me
2011 · mini albüm
Tokimeki Hacker
2011 · single
Kirikirimai
2010 · single
神様のいうとおり
2010 · single
Blu-Day
2010 · albüm
Benzer Sanatçılar
Number Girl
Sanatçı
Urbangarde
Sanatçı
Yoeko Kurahashi
Sanatçı
negoto
Sanatçı
Soutaiseiriron
Sanatçı
Ali Project
Sanatçı
Shinsei Kamattechan
Sanatçı
Seiko Oomori
Sanatçı
group_inou
Sanatçı
Denki Groove
Sanatçı
ROUND TABLE featuring Nino
Sanatçı
School Food Punishment
Sanatçı
Daoko
Sanatçı
AKAIKO-EN
Sanatçı
Sayonara Ponytail
Sanatçı
A crow is white
Sanatçı
Tokyo Incidents
Sanatçı
NakamuraEmi
Sanatçı
Yui Horie
Sanatçı
Biyografi
Artist, musician, producer, lyricist, composer, arranger, vocalist. Broadly active, from pop music to experimental music, and drawing, installations, new media art, poetry and other literature, and recitation, and more. Consistently independent in her wide-ranging activities. Etsuko Yakushimaru is an Ars Electronica STARTS Prize 2017 Grand Prize Winner. Producing numerous projects, including her band, Soutaiseiriron. Has written songs for a variety of artists and made music for films.While appearing on the music charts with countless hit songs, she has also created many experimental art projects. Making full use of state-of-the-art technology: gene recombination technology, satellite, biological data, a song-generating robot that used artificial intelligence and her own voice, and the production of an original electronic musical instrument. “Tensei Jingle” and “Flying Tentacles” albums, received praise from figures including Ryuichi Sakamoto, Jeff Mills, Fennesz, Penguin Cafe, and Kiyoshi Kurosawa. With both the content and the very existence of her work being futuristic and radical, she brings together pop music and cutting-edge science, technology, and contemporary art in a way that is natural and unfettered. Emblematic of this was her inclusion as the first living musician to have a cover feature in S-F Magazine, Japan's best-known science fiction literary magazine. Including musicians who were featured posthumously, the only two are Etsuko Yakushimaru and David Bowie.