Sanatçının Albümleri
Our House
2022 · single
The Years
2022 · albüm
The Years
2022 · single
Fanfare
2022 · single
Make It Out (feat. Maisie Peters)
2022 · single
To Ash (feat. Nico Muhly)
2021 · single
Witness Trees
2021 · single
The Parting Glass (feat. Darlingside)
2020 · single
Tourism
2020 · mini albüm
Green Room (feat. Ed Droste)
2020 · single
I Forget Myself (feat. Darlingside)
2020 · single
Atlantis (Demo)
2020 · single
Still Life (feat. Joseph)
2020 · single
Gloria Duplex
2019 · albüm
The Wilds Quartets
2018 · single
Spotify Singles
2018 · single
The Wilds
2017 · albüm
If You Could Read My Mind
2017 · single
Benzer Sanatçılar
Riley Pearce
Sanatçı
Joshua Burnside
Sanatçı
Lowland Hum
Sanatçı
Rosie Carney
Sanatçı
Austin Basham
Sanatçı
Aisha Badru
Sanatçı
Marc Scibilia
Sanatçı
Donovan Woods
Sanatçı
John Smith
Sanatçı
George Ogilvie
Sanatçı
Lydia Luce
Sanatçı
Ira Wolf
Sanatçı
Ed Prosek
Sanatçı
Andrea von Kampen
Sanatçı
Canyon City
Sanatçı
Old Sea Brigade
Sanatçı
Fenne Lily
Sanatçı
The Ballroom Thieves
Sanatçı
Rosemary & Garlic
Sanatçı
Ciaran Lavery
Sanatçı
Biyografi
Henry Jamison’s third LP The Years was produced by Doug Schadt (Maggie Rogers, Claud) plus long-standing collaborators Thomas Bartlett (Florence & The Machine, Sufjan Stevens) and Harris Paseltiner of Darlingside. Featured vocalist Maisie Peters and composer Nico Muhly round out the cast on what is Jamison’s most dynamic and diverse collection of songs to date. Since his 2017 debut The Wilds, which was humbly produced with two friends at a sugarbush/apiary in his native Vermont, Jamison has branched out to become one of the most interesting collaborators of his generation. His 2019 follow up Gloria Duplex explored identity, class and masculinity over baroque textures and performances from Thomas Bartlett, Rob Moose (Phoebe Bridgers, Bon Iver, Taylor Swift) and Shazhad Ismaily (Damien Rice, Nils Frahm, Marketa Irglová). In 2020 Jamison released Tourism, a five-song folk collection, featuring JOSEPH, Ed Droste, Fenne Lily, Darlingside and Lady Lamb. Jamison’s uncanny ability to weave folk lyricism and instruments through a pop sheen has led to over 300M streams and widespread praise, especially from his peers. Adrianne Lenker describes, “Songs that sing me through mazes of my own sensuality and sadness and help me to feel less alone in the journey to understand myself.”