Sanatçının Albümleri
For My People
2023 · mini albüm
Break Ups 2 Make Ups
2023 · mini albüm
For My People
2023 · single
Get Together
2023 · single
Sister
2023 · single
Jazz Piece 2 (The Remix)
2023 · single
Shine
2023 · single
Reach
2023 · mini albüm
I House You But Love
2023 · mini albüm
Soulside Rollers
2023 · mini albüm
Keep The Funk Alive
2023 · mini albüm
Be Mine
2023 · mini albüm
Audio Coke
2023 · mini albüm
A Deal To Heal
2022 · single
Lock Down Your Aerial
2022 · single
Sway With Me
2022 · single
State Of Bliss
2022 · single
Whiplash
2022 · mini albüm
Welcome To The Prison Of My Heart
2022 · mini albüm
The Game
2022 · mini albüm
We Must Protect This House
2022 · mini albüm
Don´t Forget To Boogie
2022 · mini albüm
Alright
2021 · single
Jay69
2021 · single
Back In The Days
2021 · single
雨ニモマケズ (Not Losing It To The Rain)
2021 · single
Show Me The Way
2021 · mini albüm
Isolated Love
2021 · single
Let Freedom Ring
2021 · single
Benzer Sanatçılar
Biyografi
German electronic producer Michael Bihler (aka HDSN) utilizes many genres to explore his creativity, although everything he produces has a distinct soulful quality. His early career is defined by deep house and disco cuts, yet his debut album, 2018's To Create Is to Destroy, is far more reliant on downtempo and trip-hop. Bihler grew up in Halbech, situated in the Bavarian region of Germany; despite the rural surroundings, he found himself drawn to music coming out of Detroit, specifically taking to Moodymann, Omar-S, Theo Parrish, and Andres. With early experiments into music production underway he moved to Munich, only to move to Manchester, U.K. shortly afterwards. It was in the Northern part of England that Bihler released his debut singles "Naked Naked," "Cashmere Cat," and "Can You Dig It." He struggled to get them picked up by any existing labels, so he created his own in NBAST (Nothin' But a Soul Thing). The following year saw the release of his debut EP, 2016's Money, Sex & Cadillacs, released shortly before Bihler returned to Germany, dividing his time between Berlin and Munich. For his debut album, 2018's To Create Is to Destroy, Bihler chose to explore genres that were not strictly dancefloor-friendly, resulting in a record with a bigger focus on downtempo and trip-hop references. ~ Liam Martin, Rovi