Sanatçının Albümleri
The Best Of Hank Crawford & Jimmy McGriff
2001 · derleme
The World Of Hank Crawford
2000 · albüm
Crunch Time
1999 · albüm
After Dark
1998 · albüm
Memphis, Ray & A Touch Of Moody
1997 · albüm
Road Tested
1997 · albüm
Tight
1996 · albüm
Centerpiece
1993 · albüm
South Central
1993 · albüm
Portrait
1991 · albüm
Groove Master
1990 · albüm
On The Blue Side
1990 · albüm
Night Beat
1989 · albüm
Steppin' Up
1987 · albüm
Soul Jazz
2021 · albüm
Milestones of New Jazz Masters - Yeah!, Vol. 7
2019 · albüm
Cajun Sunrise
2013 · albüm
Introducing Hank Crawford
2008 · albüm
Dig These Blues
2005 · albüm
Double Cross
2005 · albüm
From The Heart
2005 · albüm
More Soul
2005 · albüm
Mr. Blues Plays Lady Soul
2005 · albüm
The Soul Clinic
2005 · albüm
True Blue
2005 · mini albüm
After Hours
2005 · albüm
Benzer Sanatçılar
Lou Donaldson
Sanatçı
Les McCann
Sanatçı
Eddie Harris
Sanatçı
Eddie "Lockjaw" Davis
Sanatçı
Jack McDuff
Sanatçı
Houston Person
Sanatçı
Jimmy McGriff
Sanatçı
Reuben Wilson
Sanatçı
Big John Patton
Sanatçı
Shirley Scott
Sanatçı
Dr. Lonnie Smith
Sanatçı
Stanley Turrentine
Sanatçı
Hubert Laws
Sanatçı
Gene Ammons
Sanatçı
Charles Earland
Sanatçı
Jimmy Smith
Sanatçı
The Jazz Crusaders
Sanatçı
Richard "Groove" Holmes
Sanatçı
Nat Adderley
Sanatçı
Biyografi
With an unmistakable blues wail, full of emotion and poignancy, altoist Hank Crawford bridges the gap between that tradition and that of jazz more completely than any other living horn player. Born in Memphis, Crawford was steeped in the blues tradition from an early age. He began playing piano but switched to alto when his father brought one home from the army. He claims his early influences as Louis Jordan, Earl Bostic, and Johnny Hodges. Crawford hung out with Phineas Newborn, Jr., Booker Little, and George Coleman in high school. Upon graduating, Crawford played in bands fronted by Ike Turner, B.B. King, Junior Parker, and Bobby "Blue" Bland at Memphis' Palace Theater and Club Paradise. In 1958 Crawford went to college in Nashville where he met Ray Charles. Charles hired Crawford originally as a baritone saxophonist. Crawford switched to alto in 1959 and remained with Charles' band -- becoming its musical director -- until 1963. The phrasing and voicings he learned there proved invaluable to him as the hallmark of his own sound. He also wrote and arranged a tune for Charles. The cut, "Sherry," his first for the band, was put on the Live at Newport album. Crawford cut a slew solo albums for Atlantic while with the band, and when he formed his group, he remained with the label until 1970. He signed with Creed Taylor's Kudu in 1971 and cut a series of fusion-y groove jazz dates through 1982. In 1983 he moved to Milestone and returned to form as a premier arranger, soloist, and composer, writing for small bands -- that included guitarist Melvin Sparks, organist Jimmy McGriff, and Dr. John -- as well as large. Crawford has been constantly active since then, as a leader and sideman, recording the best music of his long career. ~ Thom Jurek, Rovi