Sanatçının Albümleri
Tha People Want Bass
1995 · albüm
Temple of Boom EP
1993 · mini albüm
Temple of Boom
1993 · albüm
I Want Your Sex (Remixes)
1991 · mini albüm
Munchies for Your Bass
1991 · albüm
To Hell and Back
1989 · albüm
Bad influence
2022 · single
Front row
2022 · single
Interlude
2022 · single
Nightwalker
2022 · single
Runnin
2022 · single
Time
2022 · single
Vampires
2022 · single
Wanted
2022 · single
Way out
2022 · single
Winter
2022 · single
Love Takes Time
2021 · single
Teoría de la Retribución
2018 · albüm
Envidia
2018 · single
The Johnson & Johnson EP
2017 · mini albüm
Pathfinder
2017 · mini albüm
This Is Hip Hop
2016 · mini albüm
Cosmic Force
2016 · single
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Biyografi
An anomaly in its time, Nemesis stood out in the late '80s/early '90s as a Texas-based rap group with big label connections during a time when nearly all rap came from either Los Angeles or New York. Featuring Big Al, the Snake, and MC Azimv, Nemesis didn't have much commercial success and weren't incredibly influential, but they do function as an omen of what was to come. The group synthesized a number of different rap styles from the era: New York MCing, Miami bass beats, and West Coast gangsta attitude. More than any of these attributes, it was their beats that garnered the most attention, illustrated perhaps best by the group's bass-orientated album titles. The group debuted on Profile Records in 1989 with To Hell and Back, followed by Munchies for Your Bass in 1991. Generally viewed as the group's crowning achievement, Munchies for Your Bass found Nemesis discarding some of the New York school of MCing influence that had been so prevalent in favor of more Southern-style party rap. However, with successive albums, Nemesis' party-orientated lyrics became increasingly commonplace and clichéd, and the group fell into obscurity. Curiously, the group staged a comeback in late 2000 with Munchies for Your Bass, Da Return, an indie release with a No Limit-style album cover. Few noticed, however, confirming the fact that Nemesis' moment in the spotlight had come and gone with little notice and even less of a resulting legacy. ~ Jason Birchmeier, Rovi