Sanatçının Albümleri
Eliana Pittman
1972 · albüm
Eliana Pittman na TV (1985)
1985 · albüm
Linha 3 (Disco de Ouro)
1981 · albüm
Abandono
1979 · albüm
Minha Melhor Melodia
1978 · albüm
Escola de Samba / I Go to Rio
1977 · single
Quem Vai Querer
1977 · albüm
Pra Sempre
1976 · albüm
brindam o passado
2022 · albüm
ELIANA AO VIVO
2022 · albüm
É Preciso Cantar
2022 · albüm
Canções de Elizeth
2021 · albüm
News from Brazil - Bossa Nova!
2020 · albüm
Nosso Estranho Amor
2020 · single
Quem Vai Querer (Aroop Roy Rework)
2020 · single
Quem Vai Querer (feat. Eliana Pittman)
2020 · single
As Divas do Sambalanço
2020 · albüm
Gamei
2019 · single
Hoje, Ontem e Sempre
2019 · albüm
Sempre Presente
2017 · albüm
Das Duzentas Para Lá (From "Preamar")
2012 · single
Tô Chegando, Já Cheguei
1974 · albüm
Maxximum - Eliana Pittman
2005 · albüm
Minhas Novas Influências
2002 · albüm
Positivamente Eliana (Ao Vivo)
1968 · albüm
Benzer Sanatçılar
Leny Andrade
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Ed Lincoln
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Miltinho
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Dom Salvador
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Alaíde Costa
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Orlandivo
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Claudette Soares
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Rosinha De Valença
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Claudia
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Doris Monteiro
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Os Diagonais
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Milton Banana Trio
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Johnny Alf
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Evinha
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Pery Ribeiro
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Ana Mazzotti
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Biyografi
Becoming the stepdaughter of the saxophonist Booker Pittman at 11, Eliana Pittman was profoundly influenced and encouraged by him to become an artist. He was her first music teacher, and some years later she debuted at the Little Club in Beco das Garrafas (Rio). In 1963, she went to Argentina, where she spent a season at the Philips Casino. Upon her return, Eliana recorded with Booker the LP New Sound Brazil Bossa Nova. Invited by Jack Paar to perform on his TV show in New York, Eliana moved to the U.S together with Booker and her mother Ofélia. Hired by the Playboy Clubs, she toured 14 American states, returning to Brazil in 1965 for a national tour. Her first hit was "Tristeza" (Niltinho), recorded in 1966. After a period of depression caused by her stepfather's serious illness, she returned to music with the LP É Preciso Cantar (loosely "It's Necessary to Sing"), performing a show of the same title at the Teatro de Bolso (Rio). The first time a samba-enredo was a commercial success was when Eliana recorded "O Mundo Encantado de Monteiro Lobato," originally performed by Mangueira in 1967. From 1968 to 1971, Pittman playing throughout Argentina, Venezuela, Portugal, Germany, Sweden, Italy, France, and Spain. In Cannes, France, she was invited, together with Sacha Distel, to be the official hostess of the MIDEM. During that period, she worked as an actress in the film Capitães de Areia, a French production about the life of Jorge Amado. She had another hit in 1972 with "Esse Mar é Meu" (João Nogueira). Alternating periods of seclusion with eventual appearances, in 2001 she opened a new season in Rio. ~ Alvaro Neder, Rovi