Sanatçının Albümleri
Lo-fi Nu Jazz, Vol. 2
2000 · albüm
The Symetric Guy + Bela Lugosi's Dead
2022 · mini albüm
Pray the Lord (Rubin Steiner Remix)
2022 · single
Fête
2022 · albüm
Say Hello to the Dawn of Paradox
2019 · albüm
Girls
2019 · single
Carnival on Mercury
2016 · single
Uranus Samba
2016 · single
Vive l'electricité de la pensée humaine
2016 · albüm
Discipline in Anarchy
2012 · albüm
Rubin Steiner - Dexter
2012 · single
We Are the Future (Remixes)
2011 · single
We Are the Future
2011 · albüm
Gay & Proud
2011 · single
Take Your Time - EP
2011 · mini albüm
More weird hits
2008 · albüm
Weird hits, two covers & a love song
2008 · albüm
Drum Major
2005 · albüm
Drum Major
2005 · albüm
For Adults
2002 · mini albüm
Wunderbar Drei
2002 · albüm
Benzer Sanatçılar
Bumcello
Sanatçı
High Tone
Sanatçı
CANNIBALE
Sanatçı
Wax Tailor
Sanatçı
Le Peuple de L'Herbe
Sanatçı
Degiheugi
Sanatçı
Zenzile
Sanatçı
Birdy Nam Nam
Sanatçı
Mansfield.TYA
Sanatçı
Puppetmastaz
Sanatçı
Doctor Flake
Sanatçı
General Elektriks
Sanatçı
Ez3kiel
Sanatçı
Dombrance
Sanatçı
Chinese Man
Sanatçı
Roudoudou
Sanatçı
Poni Hoax
Sanatçı
Sporto Kantès
Sanatçı
Biyografi
You never know what to expect from a Rubin Steiner's album" is a statement regularly repeated ever since the debut LP of Frederic Landier, a self-taught musician who has consistently tinkered with musical codes (whether electronic or other) since the early 2000's. Associated with the French Touch from the outset, although without having made the slightest piece of "conventional" house or techno, Rubin Steiner has always shied away from being artistically confined or straightjacketed and, most notably, he has managed to recreate himself with each new record, touring non-stop for the past 15 years with either a full band or as DJ. It is probably this idiosyncrasy which enabled him, on his 2014 release "Discipline In Anarchy", to play mainstream festivals and underground events. So when Rubin Steiner released this new entirely electronic album of deviant house and techno, no one was surprised. This is techno, yes, but pretty far removed, in a vein closer to James Holden, Four Tet, Ivan Smagghe, Chloé or Optimo; once again, it is difficult to put this album in a box, a genre or a style. But it is nevertheless apparent that this new facet of Rubin Steiner's work is once again quite distinctive but still deeply coherent in the evolution of his body of work. This record makes him one of the most inspiring figures in music today, a truly enjoyable prospect for anyone wanting to follow him on a tireless and exciting musical treasure hunt.