Sanatçının Albümleri
Chief Commander Ebenezer Obey and His Inter-reformers Band
2022 · mini albüm
The Horse, The Man and The Son (Acoustic version)
2022 · single
Coronavirus
2021 · single
51 Lex Presents Ogunpa Flood Disater
2014 · single
51 Lex Presents Ohun Oju Ri Laye
2014 · albüm
51 Lex Presents Nigeria Si Ma Dun
2014 · albüm
51 Lex Presents Mo Lo Mo Won Lowo
2014 · albüm
51 Lex Presents Moti Pinu Laye Mi
2014 · albüm
51 Lex Presents Motun Gbede
2014 · albüm
51 Lex Presents Mukulu Muke Maa Jo
2014 · albüm
51 Lex Presents Olomi Gbe Temi
2014 · albüm
51 Lex Presents Oluwa Ni Oluso Aguntan Mi
2014 · albüm
51 Lex Presents Womanhood
2014 · albüm
51 Lex Presents Jesu Olore
2013 · albüm
51 Lex Presents Late Murtala Mohammed
2013 · albüm
51 Lex Presents Inter Reformers a Tunde
2013 · albüm
Ija Pari
2013 · albüm
Obey @ 70
2013 · albüm
51 Lex Presents Igba Owuro Lawa
2013 · albüm
51 Lex Presents Formula 0-1-0
2013 · albüm
51 Lex Presents Generation to Generation
2013 · albüm
51 Lex Presents Eni Duro De Railway
2013 · albüm
51 Lex Presents Eni to Ba Mbe Laye
2013 · albüm
51 Lex Presents Egba (Juju Yoruba)
2013 · albüm
Benzer Sanatçılar
Evi-Edna Ogholi
Sanatçı
Onyeka Onwenu
Sanatçı
Wale Adenuga
Sanatçı
Haruna Ishola
Sanatçı
Tope Alabi
Sanatçı
Fatai Rolling Dollar
Sanatçı
Ty Bello
Sanatçı
Sound Sultan
Sanatçı
Obesere
Sanatçı
Gentleman Mike Ejeagha
Sanatçı
African China
Sanatçı
Sonny Okosun
Sanatçı
Eedris Abdulkareem
Sanatçı
Oliver De Coque
Sanatçı
Azadus
Sanatçı
Sir Shina Peters
Sanatçı
Tony Tetuila
Sanatçı
Biyografi
Since the 1960s, Ebenezer Obey has been one of the most popular, prolific, and influential musicians in Nigeria, releasing over fifty albums, developing juju style, and conducting an informal and highly creative campaign against his competitors in the musical world. Obey's first band, the International Brothers, was formed in 1964, and played a slow and music composed of layered guitars and Yoruban percussion sounds. Always a cultural and religious traditionalist, Obey worked within the praise song mold, vaunting both Christianity and the various heads of state for whom he played. But while his lyrics were traditional, his musical direction was highly innovative. In an effort to rise above his competition, Obey began to develop new musical "systems," adding as many as 20 new musicians to his ensemble at a time, extending the length of his album tracks, and pumping out hit after hit. A stylish and bluesy guitarist whose music had been contagious in Nigeria for years, Obey finally enjoyed international success in 1980 with Current Affairs. ~ Leon Jackson, Rovi