Sanatçının Albümleri
La Máquina Musical
1999 · albüm
Cubanía
1997 · albüm
Cubania
1996 · albüm
Tumi Cuba Classics Volume 4: Son
1995 · albüm
Son para un Sonero
2016 · albüm
Y Sigue El Son
2013 · albüm
Fuego En La Maya
2004 · albüm
The Best Of Son 14
2004 · derleme
Benzer Sanatçılar
Sierra Maestra
Sanatçı
Spanish Harlem Orchestra
Sanatçı
Adalberto Álvarez y su Son
Sanatçı
Roberto Torres
Sanatçı
Manolito Simonet y su Trabuco
Sanatçı
Soneros De Verdad
Sanatçı
Juan Formell y Los Van Van
Sanatçı
Charlie Palmieri
Sanatçı
NG La Banda
Sanatçı
Arsenio Rodríguez
Sanatçı
Orquesta Aragón
Sanatçı
Issac Delgado
Sanatçı
Irakere
Sanatçı
Los Van Van
Sanatçı
Adalberto Alvarez
Sanatçı
Ismael Miranda
Sanatçı
Pupy y Los Que Son Son
Sanatçı
Maraca
Sanatçı
Asere
Sanatçı
Jimmy Bosch
Sanatçı
Biyografi
Formed in Santiago, Cuba, in 1977 by vocalist Eduardo ‘El Tiburon’ Morales (b. 1935, Cuba) and pianist/musical director Adalberto Alvarez, Son 14, as their name would suggest, are a 14-piece band playing ‘son’, Cuba’s national musical style. In 1978 Lazaro Rosabal (b. 1953, Santiago, Cuba) joined the group. They recorded a number of albums for the local EGREM label, many of which became bestsellers throughout Latin America. The band also toured extensively across America and Europe. In 1992 co-founder Alvarez left the band to form his own group. Undaunted, Son 14 continued, with Rosabal taking over as musical director. As well as continued success within the Latin market, the band also began to gain recognition internationally, firstly with the song ‘El Son De La Madrugada’ which featured on the Earthworks Records compilation Cuba - Fully Charged (1993), and then with the release of Son - The BIG SOUND (1995), a compilation of the band’s material from the Alvarez era, issued by Tumi Records. Having introduced non-Latinos to Son 14’s brassy modern version of son and its many variations (‘son montuno’, ‘bolero son’, etc.), Tumi commissioned a recording by the band at EGREM studios in Cuba. Released in 1996 as part of the label’s Cuba Explosion series, Cubania demonstrated that the band had lost none of their musical flair and energy under the musical directorship of Rosabal. Three years later the group came back with La Maquina Musical, which added Colombian style tropical rhythms to their sound. They promoted the album with a European tour that included an appearance at the Cuba Presente Festival at the Barbican Centre in London.