Sanatçının Albümleri
Rare Blues Grooves
2001 · albüm
Blues, Boogie And Bebop
1998 · albüm
Battle Of The Blues Volume 4
1972 · albüm
Battle of the Blues Volume 3
1972 · albüm
Jamming The Blues
1989 · albüm
Midnight Creeper
1989 · albüm
Blues In The Night Vol. 2: The Late Show
1987 · albüm
You Can't Make Love Alone
1971 · mini albüm
Kidney Stew
1983 · albüm
Mr Cleanhead's Back in Town
1982 · albüm
Cleanhead Vinson Anthology
2023 · derleme
The Original Cleanhead Cut
2021 · albüm
When The Sun Goes Down
2016 · albüm
Cleanhead's Back in Town
2015 · albüm
Backdoor Blues
2013 · albüm
Roomful With Vinson And Turner
2010 · derleme
Pioneers of Rhythm & Blues Volume 7
2008 · albüm
Kidney Stew Is Fine
2007 · albüm
Meat's Too High - Blues, Boogie & Bebop
2007 · albüm
Redux (Live at the Keystone Korner)
2003 · albüm
The Original Cleanhead
2003 · albüm
Benzer Sanatçılar
Roy Milton
Sanatçı
Big Joe Turner
Sanatçı
Champion Jack Dupree
Sanatçı
Jimmy Rogers
Sanatçı
Earl Hooker
Sanatçı
Pee Wee Crayton
Sanatçı
Amos Milburn
Sanatçı
Lowell Fulson
Sanatçı
Percy Mayfield
Sanatçı
Wynonie Harris
Sanatçı
Joe Liggins
Sanatçı
Robert Lockwood, Jr.
Sanatçı
Sunnyland Slim
Sanatçı
Memphis Slim
Sanatçı
Johnny Otis
Sanatçı
Floyd Dixon
Sanatçı
Guitar Slim
Sanatçı
Jimmy Witherspoon
Sanatçı
Big Walter Horton
Sanatçı
Biyografi
An advanced stylist on alto saxophone who vacillated throughout his career between jump blues and jazz, bald-pated Eddie "Cleanhead" Vinson (he lost his hair early on after a botched bout with a lye-based hair-straightener) also possessed a playfully distinctive vocal delivery that stood him in good stead with blues fans. Vinson first picked up a horn while attending high school in Houston. During the late '30s, he was a member of an incredible horn section in Milton Larkins's orchestra, sitting next to Arnett Cobb and Illinois Jacquet. After exiting Larkins' employ in 1941, Vinson picked up a few vocal tricks while on tour with bluesman Big Bill Broonzy. Vinson joined the Cootie Williams Orchestra from 1942 to 1945. His vocals on trumpeter Williams' renditions of "Cherry Red" and "Somebody's Got to Go" were in large part responsible for their wartime hit status. Vinson struck out on his own in 1945, forming his own large band, signing with Mercury, and enjoying a double-sided smash in 1947 with his romping R&B chart-topper "Old Maid Boogie" and the song that would prove his signature number, "Kidney Stew Blues" (both songs featured Vinson's instantly identifiable vocals). A 1949-1952 stint at King Records produced only one hit, the amusing sequel "Somebody Done Stole My Cherry Red," along with the classic blues "Person to Person" (later revived by another King artist, Little Willie John). Vinson's jazz leanings were probably heightened during 1952-1953, when his band included a young John Coltrane. Somewhere along about here, Vinson wrote two Miles Davis classics, "Tune Up" and "Four." Vinson steadfastly kept one foot in the blues camp and the other in jazz, waxing jumping R&B for Mercury (in 1954) and Bethlehem (1957), jazz for Riverside in 1961 (with Cannonball Adderley), and blues for Blues Time and ABC-BluesWay. A 1969 set for Black & Blue, cut in France with pianist Jay McShann and tenor saxophonist Hal Singer, beautifully recounted Vinson's blues shouting heyday (it's available on Delmark as Old Kidney Stew Is Fine). A much later set for Muse teamed him with the sympathetic little big-band approach of Rhode Island-based Roomful of Blues. Vinson toured the States and Europe frequently prior to his 1988 death of a heart attack. ~ Bill Dahl, Rovi